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| PAUL STEELMAN DESIGN GROUP | ||||||||
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| ART DIRECTION /DESIGN/ANIMATION | Hi-Def Intro/Outro for Phrenic. Music by Bexarametric. | |||||||
| PHRENIC | ||||||||
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| CREATIVE DIR./DESIGN/ANIMATION | Hi-Def animation illustrating the growth of WiMax deployments world-wide. Over 250 names and logos were animated to spring up on four different locations. | |||||||
| WiMax/CLARITY | ||||||||
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| CREATIVE DIR./DESIGN/ANIMATION | Intro design set retro-style to illustrate the old way of computer IT Departments and the problems that will soon be a thing of the past. | |||||||
| PGPRODUCTIONS/INTEL/ALTIRIS | ||||||||
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| CREATIVE DIR./DESIGN/ANIMATION | Dream sequence design illustrating the wishes of IT staff and a glimmer of the enhanced IT future offered by Intel and Altiris Solutions. | |||||||
| PGPRODUCTIONS/INTEL/ALTIRIS | ||||||||
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| PRODUCER/DIR./DESIGN/ANIMATION | Mini-commercial for the elite DomePiece. Music and logo design by DomePiece. | |||||||
| CYTEK STUDIOS / DOMEPIECE | ||||||||
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| DESIGNER/ANIMATION | Logotype build intro for videos created by Voyager Entertainment. | |||||||
| VOYAGER ENTERTAINMENT INT., INC. | ||||||||
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| SR. CREATIVE ART DIRECTOR/DESIGN | Simple open for 'Blueprint for the Future' - They designed the logo and text... I created the blueprints drawing on for the short intro. | |||||||
| STEELMAN & PARTNERS . | ||||||||
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| MOTION ARTIST | HD motion art - meant to hang on a wall like regular art - yet move. This is a timeline of two people on the wavelength of red. Relax for 3 minutes...Music by Tycho | |||||||
| DONALD TRUMP | ||||||||
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| MOTION ARTIST | HD motion art - meant to hang on a wall like regular art - yet move. This is a rebirth, many openings and possibilities. | |||||||
| HARDROCK CAFE | ||||||||
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| MOTION ARTIST | HD motion art - meant to hang on a wall like regular art - yet move. This piece is a soft and subtle daydream... Take a deep breath, slow down, and then watch... Music by Tycho | |||||||
| DONALD TRUMP | ||||||||
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Always available for freelance, sometimes for speaking/teaching, and always for hello!:
Email
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Jayse Hansen is a freelance visual artist working remotely from Vegas for film and television. He has built a solid reputation as a creative-art director for print, web and motion design with clients ranging from Symantec to MTV and Fox.
More recently Jayse has turned his focus to visual effects in the feature film industry - with an emphasis on fictional-interface design. He has designed concept screens for X-Men Origins: Wolverine and hero screens used in 2012. He also created VFX graphics for onset shots for use in Percy Jackson & The Olympians: The Lightning Thief and post production medical illustrations for Oliver Stone's Wall Street II: Money Never Sleeps. He just completed a small project where he designed and animated 15 fictional user interface glass screens for use in multiple Verizon commercials for the new Motorolla/Google Xoom tablet.
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Intel |
OJ Simpson |
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02//17//11
Been a bit crazy with work lately - great way to start the year! Started it off right by art-directing 4 videos for Intel. Then moved on to designing a bunch of screens for a Verizon commercial with the super awesome guys and gals at Cantina Creative - which just wrapped up nicely. Now starting a pretty huge project for a pretty huge feature film I can't name yet. But it's one I had done a lot of development on last August in a previs-type of way - so it's great to be able to revisit it now that filming is complete and finish it off proper.
12//04//10
Got a Canon 60d to play around with. It's a very cool addition to the 5dmk2 and has the most noteworthy benefit of a rotating back screen. This could become my camera of choice!
10//30//10
We've all decided to be Carebears for Halloween this year. Chelsea and Christina look supah-sexay.
06//16//10
Just did a very improptu speaking thing alongside Rob Garrott talking about C4d/Adobe integration and Stephen Lawes describing PLF's amazing work on Iron Man II's HUD and other screen graphics. This was all at Ko and Warren's incredible DMALA motion graphics meetup in LA. Wasn't prepared for so many awesome and passionate people (200+?) and such a great theater! It was so much fun and so great to meet so many new cool people. Thanks to everyone that's already e-mailed me from the presentation - very appreciated. And thanks to Ko for putting me to work! ;-P
05//11//10
Just got added to the Motion Advisory Board. I'm just starting out in film, so it's a real honor to be listed among some of the top artists in the industry including Mark Coleran (The Island, Bourne Series, Tomb Raider etc.) Rod Basham (Imaginary Forces - Terminator Salvation Machine Vision), Karin Fong (Imaginary Forces - also Machine Vision), Synderella Peng (Yu+co - GREAT motion art and film and television titles) - and many more luminaries in the field. All of them great designers, artists and people who love to give and share their knowledge and experience with you. Motion is that one great, 'must-go' experience that I wholeheartedly recommend.
03//18//10
Keep forgetting to mention - I have a new blog for kinky artists types. It will be randomly updated as time is something I don't have much of lately. Check out designer4play.com
02//25//10
Finally able to get out and SHOOT with my 5k Mark II with Chels. It's a fantastic camera and I'm finally able to more closely match what I see in my head. (I hate video cams). Here's one we did for Style Me Pretty . Filmed in a few hours (hectic day) with the 5d mkII (transcoded to 24p), 50mm 1.4 Nikon, 19-24mm 2.8, 100mm 2.8 Macro and Nikkor 24mm 2.8 using Zacuto Rapid Fire rig, Z-finder, Cinevate Linear Tracking System and a Glidecam HD 4000. Fun toys for sure. In the end it's just a story of the emotions of the day - the slow build of anticipation - the beauty of what everyone had created and designed for the shoot - and then ramping back up with all the excitement of a shoot with Chelsea Nicole. Color toning was done in Color and is a digital reinterpretation of a technicolor 2 strip process that they used in the first color films.
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